by Chelsea Bennett, Reference Department
Happy St Patrick’s Day!
This Irish feast has taken on a life of its own in countries around the world. On March 17, we are inundated with cartoons, clothing, even cards, embellished with images of the day: shamrocks, harps, elaborate crosses. Familiar as they may be now, what do they really have to do with St. Patrick’s Day?
Symbols provide a glimpse into the psyche of an artist – or an entire culture. Sometimes, patterns and figures evolve to express an idea. Other times, the meaning follows the motif. (For example, when previously pagan symbols take on Christian significance.) Just like language, a culture’s symbolism serves both as a time capsule and an evolving conveyance of modern ideals. Today, we’ll take a look at some common symbols associated with Ireland, and discover the meanings they carry.
Shamrocks and Four-Leaf Clovers
When you think “St. Patrick’s Day,” do you visualize a lucky four-leaf clover, or is it a shamrock? With its three leaves, the seamróg, or shamrock, is the true symbol of Ireland’s patron saint. Legend has it that Patrick used the plant to illustrate the concept of the Holy Trinity to pre-Christian Ireland. So, while you might want to wear a rare four-leaf clover to represent the “luck of the Irish,” only the tri-lobed seamróg represents St Patrick himself.
Of course, pre-Christian Irish art indicates that the island’s inhabitants already had a concept of “three-in-oneness.” But it’s still a nice legend, and a great example of how we can find new significance in existing symbolism.
Spirals and Knotwork
One ancient motif resembling the Trinity is the triskelion. Three arms spiral out from the center, with rotational symmetry. Spirals feature heavily in ancient Irish art, but there’s no way of knowing what the earliest artists wished to convey. Perhaps the spiral represented the course of heavenly bodies through the night sky.
The triquetra, also known as a Trinity knot, is another indigenous emblem that found a Christian meaning. Its three distinct wings form an unbroken, never-ending whole. In one variation, a circle winds through the wings, further unifying the design. The triquetra is the simplest element of Celtic knotwork. Elaborate examples can be found in the famous illuminated manuscript known as the Book of Kells, and on decorative crosses in churchyards up and down Ireland.
The Celtic Cross
A beautiful design that looks as striking on a tattooed arm as on a headstone in a cemetery, the Celtic cross is composed of a traditional Christian cross with a circle around the intersecting lines. The stem and arms of the cross are often decorated with elaborate knotwork.
Legend attributes this cross to St. Patrick himself. According to the story, Patrick stamped the cross over a circle representing the pagan sun god, emphasizing the spiritual importance of the cross by associating it with the life-giving powers of the sun.
A heart for love, a crown for loyalty, and two hands for friendship: these are the elements present in every Claddagh ring. They originated in the small fishing village of Claddagh in Galway, possibly earlier than 1700, and are now popular as wedding rings the world over. The hand on which the ring is worn, and whether it’s worn facing inward or out, can communicate the romantic status of the wearer to one in the know.
The Irish Tricolor
Ireland’s flag has three vertical bars, of green, white, and orange. The green represents the sovereign Republic of Ireland, traditionally a Catholic nation. The orange represents Northern Ireland, which is thought of as a Protestant land, and has been part of the United Kingdom since 1921. And the white field in between? Referring to the strife between his divided countrymen, Irish nationalist Thomas Francis Meagher explained, “The white in the centre signifies a lasting truce between Orange and Green and I trust that beneath its folds the hands of Irish Protestants and Irish Catholics may be clasped in generous and heroic brotherhood.”
It’s a concept that’s still relevant, as governments discuss what the border between Northern Ireland and the Republic of Ireland will look like in a post-Brexit UK.
As a nation of poets, storytellers, musicians, and bards, Ireland has long been represented by a harp. Before the tricolor flag, a banner commonly used was a golden harp (sometimes with a winged woman, the Maid of Erin, carved into it) in the center of a green field.
The Irish government wanted to trademark the harp symbol – but Guinness, hallowed creator of Ireland’s most famous stout, had gotten to it first, back in 1876. That means you’ll always see Guinness’s harp facing one way, and the government’s harp facing the other.
Speaking of Guinness, why does alcohol feature so heavily in modern St Patrick’s Day celebrations? It has to do with the calendar. No matter when Easter falls, the Lenten fast is already underway by the time March 17 rolls around. Until the 1970s, pubs in Ireland were closed – by law – on the day. The festivities were quiet indeed.
But somewhere along the line, Irish-American Catholics wanted to celebrate their honorary patron saint while still remaining pious, and so the restrictions on food and alcohol came to be lifted for the day. Try to fit 40 days’ worth of revelry into 24 hours, and excess is the natural result! This Americanized aspect of the holiday made its way back to Ireland in the 1990s, largely as an effort to promote tourism.
If you choose to celebrate St. Patrick’s Day in this way, you’ll need a ready toast. Raise your glass and say “Sláinte!” (pronounced something like “SLAWN-chə” to drink the health of your party.
Thanks for joining me on this cultural expedition! I hope you’ll enjoy your St. Patrick’s Day celebrations all the more, having these few fragments of knowledge. Slán go fóill! (Bye for now!)
- And, of course, Wikipedia!
By Lon Maxwell, Reference Department
You’ve all heard of Limericks, I’m sure
Whether racy or actually pure
They’re funny old rhymes
From good old times
And the good ones are rarely demure
They all start in jolly old Britain
Whose poems were occasionally written
In lyrical styles
To bring forth some smiles
And the poets were instantly smitten
The name, it comes from good green Erin
The Maigue Poets used to declare in
the city, Limerick.
Those bards got a kick
from the poetry style used there in.
The transition to bawdier verse
(Or something ocassionally worse).
The decade was roaring
and not a bit boring,
still, reactions were quite terse.
There once was a man, name of Lear
Who wrote them, though not very clear
His meanings were nonsense
With ridiculous contents
And his fame stretches from then to here
Some people delight to change form
From the meter and scheme as a norm
They sometimes depart
On whole, a la cart
But can do so in in whatever manner they choose and still leave it mildly humorous
So let us praise the limerick this way
On this, the Limerick’s Day
They bring joy and delight
And the length is just right
Except like now when I’m carried away!
As one last PS I must add
A very hard time I have had
To not use Nantucket
Or mention a bucket
But I know that would really be bad.
By Katy Searcy, Children’s Department
Yep, it’s that time of year again! It’s time for shamrocks, pots of gold, green, and a tall Guinness. Okay, so that last one isn’t entirely appropriate for the whole family. Luckily, I have fourteen books perfect for celebrating with your kids on this St. Patrick’s Day!
That’s What Leprechauns Do by Eve Bunting (J E BUN)
As a storm approaches, three leprechauns get ready to go to work. Their job? Placing the pot of gold at the end of the rainbow, of course! “No mischief, no mischief along the way,” they chant. But they just can’t help themselves from pulling a few pranks because “that’s what leprechauns do.”
The Night Before St. Patrick’s Day by Natasha Wing (J E WIN)
In this Irish twist on “’Twas the Night Before Christmas,” it’s the night before St. Patrick’s Day, and Tim and Maureen are awake setting traps for a leprechaun. The next morning, they’re shocked to find a leprechaun in their trap, but will they be able to find his gold?
St. Patrick’s Day by Gail Gibbons (J 394.268 GIB)
Introduce young ones to the origins of St. Patrick’s Day with this nonfiction picture book about the life and works of St. Patrick and the various ways the holiday is celebrated.
The Luckiest St. Patrick’s Day Ever! by Teddy Slater (J E SLA)
Follow the Leprechaun family on their favorite day of the year as celebrate St. Patrick’s Day with a parade, dancing, music, and an Irish feast!
S is for Shamrock: An Ireland Alphabet by Eve Bunting (J 941.5 BUN)
From the Blarney Stone to fairy rings to shamrocks, take an A to Z tour of Ireland in this nonfiction title.
St. Patrick’s Day in the Morning by Eve Bunting (J E BUN)
Set in a village in Ireland on St. Patrick’s Day, Jamie, the youngest in his family, is too small to walk in the big parade. Disappointed, he wakes up early and sets out to prove them wrong.
Jamie O’Rourke and the Big Potato by Tomie dePaola (J E DEP)
In this Irish folktale, potato farmer Jamie O’Rourke—“the laziest man in all of Ireland”—convinces himself he’ll starve to death after his wife hurts her back doing all the household and garden chores. When Jamie catches a leprechaun who offers a magical potato seed instead of a pot of gold in exchange for his freedom, the resulting gigantic potato feeds the O’Rourkes and their village longer than imagined.
Patrick: Patron Saint of Ireland by Tomie dePaola (J E DEP)
In this nonfiction selection, readers are introduced to the life of St. Patrick and several different legends about him.
Tim O’Toole and the Wee Folk by Gerald McDermott (J E MCD)
Tim O’Toole and his wife, Kathleen, are so poor that their neighbors avoid them, fearing their bad luck will rub off. When Tim goes out to find a job, he happens upon the “wee folk,” and they give him gifts to turn his luck around.
Fiona’s Luck by Teresa Bateman (J CD E BAT)
The greedy leprechaun king has locked away all the luck in Ireland to keep it from the “big folk” who were soaking it all up. Unfortunately, he went too far, and Ireland suffered its worst luck ever through the potato famine. Thankfully, a young woman named Fiona is clever enough to outsmart the leprechaun king and restore luck to all of Ireland.
The Leprechaun’s Gold by Pamela Duncan Edwards (J E EDW)
In this Irish legend, two harpists—kind Old Pat and mean Young Tom—set off for a contest to determine the best harpist in all of Ireland. When greedy Young Tom realizes Old Pat is actually a better musician, he plots against his older counterpart, even going so far as to pluck the strings off poor Old Pat’s harp. However, Young Tom doesn’t plan on a leprechaun intervening on Old Pat’s behalf.
Finn McCool and the Great Fish by Eve Bunting (J E BUN)
Finn McCool is the “best-hearted man that ever walked on Ireland’s green grass.” But for all his strength, courage, and goodness, there’s one thing Finn lacks: he’s just not smart. When a wise man in a nearby village tells Finn about a red salmon with the wisdom of the world, he sets out to catch the fish and discover the “secret of wisdom.”
Brave Margaret by Robert D. San Souci (J E SAN)
When a ship carrying a handsome prince arrives in the harbor, Margaret seizes her chance to see the world. But soon she is faced with storms and sea serpents, and eventually finds herself held captive by an elderly sorceress who refuses to let her go unless she can defeat the evil giant at a nearby castle. When her prince is killed fighting the giant, Margaret discovers she is the intended champion of an enchanted sword.
St. Patrick’s Day by Anne Rockwell (J E ROC)
Join Mrs. Madoff’s class as they learn about St. Patrick’s Day traditions!
So read a book this St. Patrick’s Day! After all, isn’t knowledge is better than all the pots of gold at the end of the rainbow?