Category Archives: Hot Topics

How to Care for Your Book Hangover: An Intro to Readers’ Advisory Websites

by Chelsea Bennett, Reference Department

What Am I Going to Read Now??  We’ve all been there. After spending days – weeks –months! – devouring plotlines, falling in love with characters, forming a map of their world inside our heads, we all must reach The End. Closing a book after reading its last line can be bittersweet, to say the least. When you’ve exhausted your favorite author’s bibliography, pored through every volume of a series, or simply finished a Darn Good Book, you may find yourself in a Book Hangover.

How will you find “The One” among all these books?

That Darn Good Book can never – should never – be replaced in your heart. But you don’t have to suffer hopelessly through a Book Hangover. Assuage your pain by picking up another book. And not just any book: though millions of books are published each year, there are ways to increase your odds of finding love again. Friends, relatives, librarians, and critics can all be a great source of recommendations. And for the internet-connected book fiend, there’s another option: Readers’ Advisory Websites.

Despite the somewhat ominous phrasing (calling to mind the sternness of a Parental Advisory, or the anxiety of a Weather Advisory), a Readers’ Advisory Website (denoted here as “RAW”) can be a useful, entertaining tool. Essentially, a reader inputs preferences, and the RAW outputs suggestions. Those are the ones we’ll look at today. Review sites also fall under the umbrella of RAWs, so I’ll list some of those, too.

I had never used a Readers’ Advisory Website before researching them for this article, so I’m presenting them to you from a new user’s point of view. Here are my four picks.

Search Engines

Some RAWs are smarter than others. You don’t need a machine to tell you that you “might also enjoy” Harry Potter and the Chamber of Secrets if you liked Harry Potter and the Order of the Phoenix. That’s accurate, but thoroughly unenlightening.

Best Results: Whichbook (https://www.whichbook.net/)

Perhaps the cleverest site I discovered is Whichbook. Its various search methods are fun to use and give spot-on results. Start by customizing your search with up to four criteria, adjustable on a sliding scale. (See screenshot.) You can also search by Character, Plot, and Setting; or get results by going to an author’s name, choosing a title, and clicking “Find similar books.”

The Whichbook team eschews bestseller lists in order to bring you curated selections you may not find elsewhere. All of their recommendations for me felt personally considered. I felt seen, known, loved – by a website!

Caveat: This site is based in the UK. I didn’t find some of the authors in our local library, but that’s what Inter-Library Loan requests are for.

Thorough Analysis: Allreaders (http://allreaders.com/)

Allreaders provides detailed reviews and a “specific, searchable breakdown of the plot, setting, character types, and style.” I enjoyed reading breakdowns of books I know. And I liked the layout of book recommendations “with storylines, themes & endings” similar to the book I searched for.

Allreaders’ Detailed Power Search (DPS) isn’t very pretty, but it gives so many options, some of them quite amusing. (Be sure you’re in the right genre first – here’s the link for Literature, and there are others.) I threw a lot of criteria into a search, requesting convoluted Plots & Themes, a unique Main Character, an elaborate Setting, and even a distinct Writing Style. DPS returned a long list of suggestions – some more intriguing than others. No suggestion matched every one of my crazy demands, of course. But if I were desperately seeking something new to read, I’d have fun browsing the results.

Easy Search: What Should I Read Next? (https://whatshouldireadnext.com)

If the minutiae of the first two search engines put you off, What Should I Read Next? may be the RAW for you. Simply type in an author or book you love. Results are tagged with keywords, so you can decide whether to follow up on the suggestions. You can click the keywords to find more books with the same tag. (One suggestion I got was tagged with “attempted assassination,” “cats,” and “time travel.” Now that’s a must-read!)

Fun Interface: Literature-Map (https://www.literature-map.com/)

Calling itself “The Tourist Map of Literature,” Literature-Map offers a unique visual approach. Enter your favorite writer’s name, and you’re rewarded with a clickable constellation of authors. “The closer two writers are,” claims Literature-Map, “the more likely someone will like both of them.” Searching for Jane Austen brought up a great variety of names to explore. I was impressed that David Sedaris, Harper Lee, and C. S. Lewis were among them, in addition to predictable results (Dickens, the Brontë sisters). Also included were Nicholas Sparks and Diana Gabaldon, so there’s truly a path for every taste.

Review Websites and Social Networks

Taking the time to browse review sites, you might stumble upon a fantastic book that otherwise lies outside of your field of vision. Here are some to check out.

  • The Book Report Network (https://tbrnetwork.com/) comprises “six editorial websites … organized … by demographic and … interest.” Adults, young adults, teens, and kids all have their own specialized sites; reading groups and graphic novel fans are also provided for.
  • Overbooked: The Next Chapter (http://overbooked.com/next-chapter/) looks at new releases, both eclectic and mainstream, to “encourage omnivorous reading.”
  • With YourNextRead (http://www.yournextread.com/us/), you can “discover and share” by searching for recommendations, browsing user lists, and customizing your own book map. (Registration required for some features.)
  • GoodReads (https://www.goodreads.com/) is a large social network of readers. Browse and create reviews and shelves (custom lists), add friends from Facebook, follow users with similar tastes, and even interact with authors who use the site. (Registration required for some features.)

That’s all from me. May your horizons broaden and your tastes refine. Have fun exploring! And check out the links below for even more RAWs not listed here.

 


Article Sources, and More RAW Suggestions

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Collecting and Saving Seeds!

By Sharon Reily, Reference Departmentseed library

Late summer and autumn are not always the most beautiful and fruitful times for many of our plants. Our vegetable patches have stopped yielding and our flowers are faded and brown. But this is the perfect time to gather seeds you can use to start your gardens next year. Here are just a few benefits of collecting and saving seeds.

  • It’s fun!
  • It’s easy!
  • It’s economical! The price of a packet of seeds seems to increase every year. The seeds you collect from your garden are free.
  • You can share or exchange seeds with friends – a great inexpensive way to try new plants.
  • Your favorite plant may not be readily available at local nurseries, but if you save seeds you can continue to enjoy it in your garden year after year.
  • Many varieties of heirloom plants are lost over time. They actually become extinct! You can help preserve different heirloom plants by collecting, saving and replanting heirloom seeds.
  • By raising many generations of plants, you’ll be able to see how certain traits are passed on, and how you can select the qualities you want to bring out. Over time, you can even “customize” your plants to suit your backyard conditions and your tastes.
  • You can benefit your community. If you collect more vegetable seeds than you can use, which is likely, you can donate your surplus seeds to a community garden that gives free fruits and vegetables to needy families.

Collecting and saving seeds is an ancient tradition. For thousands of years, farmers collected and saved seeds to insure the next year’s harvest. They also studied the results of their plantings and then saved and sowed seeds from the best plants, fine-tuning the plants to meet their needs and match local growing environments. This selection led to a genetic diversity of crops adapted to many growing conditions and climates, and created a large base for our food supply.

While farmers and hobby gardeners collect and save seeds to plant and share, seed vaults or banks do just the opposite. From the beginnings of agriculture (possibly as early as 8000 B.C. in what is now Iraq), farmers understood their seeds needed protection from the weather and animals. Scientists have discovered evidence of seed banks in Iraq from as far back as 6750 B.C. Today, there are more than 1,500 seed banks around the world that hold a wide variety of seeds to preserve crop diversity and act as insurance against disease and natural and man-made disasters that might wipe out the world’s seed reserves. The best known is the Svalbard Global Seed Vault, often called the “Doomsday Vault,” located in a remote frozen mountain in Norway. The Svalbard Global Seed Vault is a huge international project with the capacity to store 4.5 million varieties of crops for a maximum of 2.5 billion seeds. Currently, the Vault holds more than 860,000 samples, originating from almost every country in the world.

svalbard exteriorSvalbard Global Seed VaultSvalbard Global Seed Vault

Amid all the interest in preserving and sharing seeds, libraries around the country have started seed exchanges, and the Williamson County Public Library joined that movement in March of 2015. The first year of our seed exchange, we “checked out” (gave away) more than a thousand packets of flower, vegetable, fruit, and herb seeds. It was suggested – but not required – that those who participate in the program collect seeds from their gardens this fall and return a few of them to the Library in the spring so we can keep our seed exchange going. Go to WCPL Seed Exchange to find out how our seed exchange works and see a list of helpful resources on seed collecting.

If you want to learn more about harvesting your seeds, the Library is hosting a program on Collecting and Saving Seeds with UT/TSU Horticulture Extension Agent Amy Dismukes on Monday, September 17 at 1:30 pm. Registration is required, but the program is FREE and open to anyone who is interested in attending. Just call 615-595-1243 or click here to register.


Article Sources:

Ink, Paper, Action!

By Chelsea Bennett, Reference Department

Amidst Hollywood’s profusion of bigger-and-better sequels, nostalgic remakes, and “dark re-imaginings,” there’s a longer-standing trend: movies that are based on books. Some of these movies are so iconic – so visually spectacular – their worlds so complete – that audiences may be surprised to learn of any literary origins. (Think The Princess Bride, The Wizard of Oz, Trainspotting, Ready Player One, Mary Poppins, Die Hard…) Other adaptations are not quite so successful. (The Cat in the Hat, anyone?)

An early example of a book-to-film adaptation is a 1924 silent film called Greed, based on Frank Morris’s novel McTeague. The director’s vision led him to make a 9½ hour-long behemoth, but he was forced to cut it down to an “incoherent” two hours. (Most likely, the sentence, “The book is so much better than the movie,” was first uttered around this time.) Greed’s director, Erich Von Stroheim, had tried to be completely faithful to his source material. While that’s an admirable endeavor, it was the film’s downfall. (1)

These days, adapting a book for the big screen is an art form all its own. Just as a novel and a film are completely different mediums, so too are a novel and a screenplay. The team adapting the novel must remain true to the heart of the story. They must also choose which plot points to highlight or omit. Pacing often needs to change completely. Then there’s the daunting task of casting actors and creating worlds. Before any movie, these characters and places materialized inside thousands of readers’ imaginations. Entire fandoms wait in the wings, ready to adore or decry as soon as they glean tiny details from a promo trailer.

Like all art forms, there is going to be a lot of dreck. But there will be some shining examples, too. Gone with the Wind, Schindler’s List, Black Panther, To Kill a Mockingbird, Who Framed Roger Rabbit, The Lord of the Rings trilogy – these are some groundbreaking, enduring favorites that all made their first homes on bedside tables and in bookshelves. Each is a good example of how a film can omit certain original details (Scarlett O’Hara originally had two children by other men; jolly old Tom Bombadil was axed from Middle Earth altogether) while still capturing the story’s essence. (2) Andre Dubus III, whose novel The House of Sand and Fog was adapted into a well-received movie, says, “I’m all for giving filmmakers their creative due. As long as [they’re] loyal to the spirit.” (3)

Here we see a couple breaking up due to
differing opinions
about The Shining.
(Probably.)

Stanley Kubrick’s The Shining, based on the Steven King novel, is an interesting case of adaptation. It manages to polarize opinions like few films do. (If you ask Google, “Do people love The Shining?” you’ll see what I mean!) For its acting and its atmosphere, for technical precision, powerful visuals, and downright scariness, film buffs and horror enthusiasts hold The Shining in a place of reverence. (4) But fans of the book say the movie falls terribly short. King accuses the film’s main character of having “absolutely no arc at all” – quite damning, coming from the author himself. (5)

So it seems that both works are well worth appreciating, but should never be compared. I wonder if that’s true of all adaptations. Writer Bernhard Schlink offers this perspective: “As an author, you can’t expect a movie to be an illustration of the book. If that’s what you hope for, you shouldn’t sell the rights.” (6)

It’s fraught with peril, this business of turning a book into a movie. So why bother? As it turns out, sourcing stories from books is actually quite low-risk – despite the possibility of alienating fans. A popular book turned into a movie “can rise above the noise [and] competition from the internet, video games, and Netflix,” explains Hawk Otsby, co-writer of Children of Men. (7) This is just another way in which we as consumers can get our fill of the familiar. And that’s not necessarily a bad thing, as long as there’s still room for original and independent films to be made.

The year may be halfway over, but there are several upcoming adaptations to look forward to. Maybe you’ve heard buzz about Mowgli (a darker remake of The Jungle Book), Bel Canto (based on the Ann Patchett novel of the same name), Ashes in the Snow (a wartime drama adapted from Between Shades of Gray by Ruta Sepetys; the title was changed for obvious reasons), or Mary, Queen of Scots (from John Guy’s lauded biography of Mary Stuart, which in the UK carries the wonderful title of My Heart Is My Own). (8, 9, 10, 11)

The faithfulness of these films to their source material remains to be seen. And honestly, I’m ambivalent. A badly-done movie won’t detract from a book I love; and a well-done movie might point me in the direction of an author I’ll adore. Creatives absolutely deserve to be recognized – and paid – for their good work. If it takes a movie to make a great writer famous, so be it!


Sources:

  1. https://en.wikipedia.org/wiki/Film_adaptation
  2. https://gwenonichi.wordpress.com/2012/08/05/gone-with-the-wind-differences-between-the-book-and-the-movie/
  3. https://filmmakermagazine.com/58787-turning-a-book-into-a-movie-an-authors-perspective/#.WyrBX6IpW5I
  4. https://www.reddit.com/r/movies/comments/7mcpcw/what_is_the_deal_with_the_shining/drurpzs/
  5. https://deadline.com/2016/02/stephen-king-what-hollywood-owes-authors-when-their-books-become-films-q-a-the-dark-tower-the-shining-1201694691/
  6. https://ebookfriendly.com/books-and-movies-quotes/
  7. https://www.theverge.com/2017/1/26/14326356/hollywood-movie-book-adaptations-2017-expanse-game-of-thrones
  8. https://variety.com/2018/film/news/mowgli-jungle-book-1202786074/
  9. https://variety.com/2018/film/markets-festivals/bel-canto-with-julianne-moore-ken-watanabe-sells-to-screen-media-exclusive-1202800859/
  10. https://www.bookbub.com/blog/2017/12/26/book-adaptations-2018-movies
  11. https://variety.com/2018/film/news/saoirse-ronan-margot-robbie-mary-queen-of-scots-moved-1202758120/

Pinocchio Syndrome: AI, Robots, and Fear

Created by Yul Jorgensen aka deviantart artist FATBM

By Lon Maxwell, Reference Department

I and most people in their thirties and forties grew up in an interesting time when it comes to robots and Machine intelligence. Robots are the automated devices that build our manufactured goods, the programmed tools that weld, test, and gauge everything we use. They may even for a few lucky ones have been something we got to play with as kids in school robotics labs, programming multi jointed limbs and pincer grips to move small objects from one side of the table to the other. For me, they were the first peek into Machine language. This was not, however the only way I saw robots. They were also the shining metal sidekicks, the implacable companions, and often the comic relief of some of my favorite books, movies and television shows. I could go from watching a sci-fi film on Friday to playing with an old Unimate PUMA at the local community college’s Saturday kids program the next morning. I almost didn’t see them as even similar versions of the same thing. Now that I’m an adult however I can look back and see my old Saturday morning friend was the Homo Habilis to today’s Homo Erectus. We are still in the early days of robotic evolution, but the pace is quickening and the robot who wants to be a “real boy” could be just around the corner.

IBM 7090 computer and personnel from 1961

You can’t take a look forward and appreciate the amount of journey ahead without knowing how far you’ve come. True electronic computers go back to the old vacuum tube run models that took up the same space as an entire gymnasium and were programmed with punch cards. Then came central mainframes with dumb terminals, mini systems and finally the personal computer we know and love still. In that time we migrated through magnetic tape and cartridges, through the innumerable floppy discs and hard discs to the thumb and hard drives of today. The robots have changed a bit as well. Aside from the science fiction progression we’ve seen from the Lost in Space robot to…well…um… the Lost in Space robot (1965 and 2018 respectively) there has been a huge swing from the early mechanical arms to the more modern, and yet still 18-year-old, Asimo.

Pepper is a semi-humanoid robot, manufactured by SoftBank Robotics, designed to read emotions

The future of robots is heading down two main tracks, Humaniform[1] and non-traditional robots. The Humaniform robots are learning (more on that in bit) to respond to human emotion. In some cases they are working on mimicking facial expressions with plastic and servos. It is among this variety of robot that scientists are working on human like movement. The non-traditional types are just as surprising. Military vehicle=s and drones are where the largest strides are coming from. Self-guided autonomous devices are delivering supplies and personnel. Dangerous missions are being performed with pinpoint accuracy by computers that are learning to modify their tactics. They might not look like C3P0 but the military machines are where we see science fiction meeting reality. Let’s just hope it’s more Bicentennial Man and less Skynet.

Artificial, or machine, intelligence is a different story. Until today the general maxim for working with computers is that they do not make mistakes. They do only what we have programmed them to do. Any errors are really the fault of the programmer. Going into the future we may see computers that are capable of extrapolating their own options and acting outside of initial human programming. This artificial cognition has a lot of people excited, good excited and bad excited. Advances in computing ability are allowing for computer scientists to attack the problem of A.I. in many different ways. They are approaching the problem from the angles of symbolic learning and human brain simulation among several others.  They are also using the latest tools, networks to simulate neural pathways and statistical models to build decision making. One big question in artificial intelligence is the ability of man to create a moral structure for the A.I. brain to exist within. Many do not believe we can safely create a friendly A.I. with the level of knowledge we currently possess. That might explain why fiction has a lot more HAL 9000 clones than Commander Data.

Good vs Bad… who will win?

The real future that many of us hope for is one that brings these two things, artificial intelligence and robotics, together to make a robotic being that will help us forward. Like many of the advances we have seen our imaginations are directed by the stories we hear and see and read. Advances in both fields will lead to the point where a breakthrough occurs, and it will be sooner rather than later. The only questions left to ask are will it be a benevolent discovery and are we worried about if we can rather than focusing on if we should.

[1] The terms humaniform and non-traditional are ones that I have chosen. Humaniform is a term I have lifted directly from the work of Isaac Asimov.

Further Reading (and since it’s Friday the 13th, have 13 books):

  • I, Robot by Isaac Asimov (F ASIMOV)
  • Do Androids Dream of Electric Sheep by Philip K. Dick (LP F DIC)
  • Saturn’s Children by Charles Stross (eBook)
  • The Alchemy of Stone by Ekaterina Sedia (eBook)
  • Neuromancer by William Gibson (F GIB)
  • Robopocalypse by Daniel H. Wilson (F WIL)
  • “Silently and Very Fast” by Catherynne M. Valente (808.838762 MOR)
  • The Automatic Detective by A. Lee Martinez (F MAR)
  • The Windup Girl by Paolo Bacigalupi (F BAC)
  • Hyperion by Dan Simmons (F SIM)
  • The Moon is a Harsh Mistress by Robert A. Heinlein (F HEI)
  • Otherland by Tad Williams (F WIL)
  • Ancillary Justice by Ann Leckie (F LECKIE)

Beatlemania revisited – Fifty-five of the Fab Four

By Lon Maxwell, Reference Department

My boys, ages 9 and 13 love to sit down on a rainy day and watch Help!. The goofy antics of the four Liverpudlian lads have an entertainment value that transcends the decades. It’s not odd that people like the Beatles today, but it is an interesting change in the mindset of Americans. Most people do not listen to, let alone become avid fans of, the music of their grandparents. While I do enjoy big band and swing music, I would consider myself more exception than rule, even with the millennium era revival of Swing. My parents’ generation certainly did not listen to ragtime. So why do my kids, and many other of today’s children still love the Beatles? The answer is simply because they suffer from the epidemic that was called is Beatlemania.

The Fab Four started out as a fab five: John, Paul, George, Pete and Stuart, and were originally known as the Quarrymen, then Johnny and the Moondogs before moving through several variations of the name we all know and love, before settling on just The Beatles. They got their start in Liverpool, but played in Hamburg, Germany for a time before they all had to leave for one reason or another (Harrison was an unaccompanied minor, Best and McCartney were deported over an arson charge, and Lennon left of his own accord.)They played Liverpool and acted as a backing band and even returned to Hamburg before returning to England and starting to record their own music. Stuart Sutcliffe returned to his art, and the other three replaced Best with a drummer named Richard Starkey, Ringo. The rest of the story is known to music and pop culture fans the world over. They took England by storm in 1962 and 63, then America later that year followed by their first visit in 1964. It was the spark of the British Invasion, and the moving of a phenomenon from Europe to American shores. Beatlemania had made its beach head in the United States.

The outpouring of affection and devotion dedicated to the Beatles took the world by surprise. It was never observed before and really has not been repeated since. Many bands have been called the next Beatles, from the Bee Gees to Oasis to One Direction, but no one has ever lived up to the name. No one had or ever has caused wholesale hysteria among fans like the Fab Four, although Elvis had come the closest. The best explanation that anyone can seem to come up with is that the Beatles tapped into a confluence of factors that hasn’t occurred before or since. The large number of potential fans brought about by the baby boom, the safe appearance (despite the scruffy band stories we all hear their androgynous haircuts, suits, and simple movements while playing meant they were far less threatening than the overtly masculine and sexual Elvis), and the unsure world brought about by the height of the Cold War and death of President Kennedy, made teens everywhere ready to latch on to something. They fell to that with a will. Screaming, fainting, panicking and occasional rioting were more than just a trope from the beginning of A Hard Day’s Night, they were the reality of day to day life for the guys.

The lasting effect of the Beatles, in my opinion, is not the pop culture phenomenon. It is what they brought to music and more importantly musicians. Many people make fun of the Monkees as a manufactured Beatles rip off, but what many people don’t realize is that many bands were structured in the same manner. Even the Beatles were told they were going to play certain songs and not others. Rock and Roll was very much like today’s country music where songwriters made the songs that would sell and musicians played what they were told to. The Beatles began playing songs that were commercially viable. This meant basic formulaic songs and covers. As they increased in popularity, they gained more bargaining power so that by the time Help! (the album) came out, they only had one cover and were able to add more experimental songs like “I Need You”, “You’ve Got to Hide Your Love Away”, and “Yesterday”. The greater their popularity, the more control they had, and it’s evident as you go through Rubber Soul, Revolver, and Sgt. Pepper’s Lonely Hearts Club Band. The experimentalism of The Beatles (more often known as “The White Album”) shows the power they had been able to amass. They were the first major band to tell a big label that they would play what they liked and make it stick. This changed the way rock and roll worked from that day on. That’s not to say that the manufactured band had ended, but it meant that a band with good songwriting chops and a strong following was more important than record executives market analysis, and bands have used this to innovate ever since.

I really think that the best testament to the power of Beatlemania is that the 55 years of fanaticism it caused is only based on seven years of collaborative work. Four Generations have grown up with the Beatles’ music and they are loved by members of all of them. Bands like the Rolling Stones, Pink Floyd, and U2 have been playing together for a much longer time and released a great many more albums, but have not reached the iconic stature of the Beatles. They have changed the state of modern music for their era, but still had less impact than the Beatles. Their fans and their impact stem from the inroads made by the Beatles and, while their impact is not cheapened, it is diminished by the fact that the Beatles had already planted their flag in those lofty heights first.


Further Reading:

  • Dreaming the Beatles: A Love Story of one Band and the Whole World by Rob Sheffield 782.4216 SHE
  • The Beatles: All These Years by Mark Lewisohn 782.42166 LEW
  • Meet the Beatles: A Cultural History of the Band That Shook Youth, Gender, and the World by Steven D. Stark 782.42166 STA
  • Beatles ’66 The Revolutionary Year by Steve Turner LP 782.42166 TUR
  • How the Beatles Changed the World by Martin W. Sandler J 782.421660922 SAN
  • The Beatles Were Fab (and They Were Funny) by Kathleen Krull  J 782.42166092

Sources:

We’re Not Dead Yet!: Broadway Musicals in Revival

By Lindsay Roseberry, Reference Department

Did you grown up singing along with the cast recording of Broadway musicals?   If you are of a certain age, perhaps you did.  My mother had many of them, and I enjoyed singing along, whenever I knew the words.  Home was so very far away from New York in those days, so the cast albums (I’m talking old 78s and 33 1/3s) were the closest you could get to the plays themselves.  This was before the internet, when many areas of the country only got three television channels.  This was before cable.  Yes, I am old.  But I always remember how much fun I had listening to the musicals.  And I know I am not alone.

So what musicals have been the most popular through the years, popular enough to keep bringing them back, that is?

1. Porgy and Bess (music by George Gershwin, book and lyrics by Ira Gershwin , based on the book by Dubose Heyward)**

Porgy and Bess premiered in 1935 on Broadway, and has been brought back to Broadway seven times!  Part of the popularity is the story and part, possibly the larger part, is the music by George and Ira Gershwin.  And it is the most revived musical on Broadway.

2. The Threepenny Opera (music by Kurt Weil, book and lyrics by Bertolt Brecht)

The Threepenny Opera premiered in 1933; it has been revived six times.  This play was adapted from the book The Beggar’s Opera written in 1728.  This musical may qualify as being from the oldest extant source!

3. Show Boat (music by Jerome Kern, book and lyrics by Oscar Hammerstein II)

Before Hammerstein teamed up with Richard Rodgers he was famous in his own right.  He just became more so in the famous partnership.  This musical has also been revived six times.  “Ol’ Man River” and “Can’t Help Lovin’ Dat Man” are always show stoppers.

4. Peter Pan (music by Mark Charlap and Jule Stine; book and lyrics by Carolyn Leigh)

Peter Pan is the fourth most restaged musical.  I’m sure you thought it would be on the list somewhere!  It’s a perennial favorite for all ages, and those of us old enough will remember that Mary Martin starred as Peter in the first show in 1954.  She was the mother of Larry Hagman who became a star in I Dream of Jeannie, and became a megastar in Dallas.

5. Guys and Dolls (music and lyrics by Frank Loesser and book by Abe Burrows)

This musical premiered in 1950.  Some from younger generations may be surprised that Marlon Brando starred in the film adaptation, singing and dancing.  Nathan Lane starred in the 1992 revival.  I’m sure that was a good one.

6. Fiddler on the Roof (music by Jerry Bock, lyrics by Sheldon Harnick and book by Joseph Stein)

Next is one you probably thought should have been higher up on the list.  The book was based on the stories of Sholom Aleichem, telling the story of the Jews living in the Soviet Union and how they lived there.  It first premiered in 1964 and was an immediate hit.  The movie was wonderful, too.

7. Carousel (music by Richard Rodgers, and book and lyrics by Oscar Hammerstein II)

Now we come to the famous pairing of Rodgers and Hammerstein.  This was the second play in their partnership.  Oklahoma was the first, and it changed the way musicals were written and performed.  Carousel only cemented their fame, and they were even nominated for a Tony award.

8. West Side Story (music by Leonard Bernstein, lyrics by Stephen Sondheim and book by Arthur Laurents)

West Side Story is the eighth most popular revival.  I’m surprised it’s not higher on the list.  But perhaps because it was based on one of Shakespeare’s most famous plays was what made it so popular (aka Romeo and Juliet).  You can’t go wrong with Shakespeare…  It premiered in 1957, and was so popular it came back to Broadway three years later.

9. Pal Joey (music by Richard Rodgers; book and lyrics by Lorenz Hart, based on the book by John O’Hara)

The character and stories from this musical were based on short stories by John O’Hara that appeared in the New Yorker; he later published these stories as a novel.  The play received mixed reviews from the critics, but ran for ten months, so it was popular.  Not smash hits like with Rodgers and Hammerstein…

10. Oklahoma (music by Richard Rodgers, and book and lyrics by Oscar Hammerstein II)

Speaking of Rodgers and Hammerstein, Oklahoma is the next most revised musical.  This one was the first by the duo.  This musical broke the mold.  The singing was part of the dialogue, not just song and dance numbers interspersed in between dialogue.


Some people in the business aren’t sure all of the old favorites should be revived.  Some of the shows continue stereotypes, while others deal with abuse or misogyny.  And what about the revivals taking away room for new musicals to come to town; others have concerns about this possibility too.

In a November New York times article, Georgia Stitt, a composer, lyricist and musician, posted this on social media last fall as the 2017 season was  being announced:

“With respect to the creatives who will be employed by these projects, I will say I’m concerned about a Broadway season that includes PRETTY WOMAN, CAROUSEL and MY FAIR LADY all at the same time.  In 2017 is the correct message really “women are there to be rescued?   It’s frustrating that the material people seem to want to throw their energy into is old properties where women have no agency, and then there is the real scarcity of women on the creative teams.”

–Georgia Stitt (@georgiastitt) November 22, 2017

Creative teams have sought to rework problematic classic musicals, either by changing wording (only possible with permission from the writers’ representatives), or by rethinking staging.

Critiques of My Fair Lady have focused not only on the show’s final exchange, but on the Pygmalion narrative itself.  “Oh gosh, it is very, very sexist,” Julie Andrews, who originated the role of Eliza on Broadway in 1956, told an interviewer last year. “Young women in particular will and should find it hard.”

Pretty Woman, which will be staged for the fall 2018 season, faces different challenges, as a new musical with no pre-existing book or score. It will have a production in Chicago this spring and is then scheduled to open on Broadway in August.

Some artists think that there are a few musicals that need to be revived.  What about Funny Girl, 1776, Titanic or A Funny thing Happened on the Way to the Forum?  Grand Hotel, anyone??

A few final words about musicals:  This year Love Never Dies will be shown in North America for the first time.  The sequel is set in New York, ten years after the ending of the Phantom of the Opera ends.  It started in Detroit and now is coming to TPAC.  And yes the music and lyrics are by Andrew Lloyd Webber.

** So what exactly do these musical terms mean? The music itself, often called the score, is often written by a different person than the person who writes the lyrics, (a.k.a. the words in the songs).  Think of Rodgers and Hammerstein. Then think of Andrew Lloyd Webber or Stephen Sondheim. Both of these men often wrote the words and music for their productions. The book is the words, the actual story of the musical, sometimes based on a book, as in Phantom of the Opera.

Sources:

More Chills! More Thrills!

by Chelsea Bennett, Reference Department

Have you been on the edge of your seat, waiting for this next installment of my Suspense Spectacular? (Just answer Yes; let’s get an atmosphere going.) My previous post introduced a few big names in the genre. We also honored the predecessors of today’s hits. Today, I’ll start by focusing on female stars of the genre. Lastly, we’ll dig up hidden gems from authors you might not expect.

Writing for The Atlantic, Terrence Rafferty claims that “Women Are Writing the Best Crime Novels.” He says, “They don’t seem to believe in heroes as much as their male counterparts, which in some ways makes their storytelling a better fit for the times.” Without shying away from murder – be it most gruesome – the insightful women who have flourished within “domestic noir” write with “awareness of that inside-out sort of violence” that occurs so often in real life. (1) So, if you’re looking for a psychological edge, you’ll be spoiled for choice among women authors in this genre.

Incidentally, I learned that several male writers use female pen names within this genre. (2) That makes marketing sense, as their readers are more likely to be women. (3) Considering the history of women authors using masculine noms de plume – their only option if they hoped to be taken seriously – it’s ironic that men can now use women’s names in order to increase their own profitability as authors!

Don’t worry. This is not a blog post about The Patriarchy. But I hope to highlight some of the writers of this genre who actually are women – not men using women’s names. (Yes, I did double-check them all! My search history got a little weird.) You can find summaries of intriguing titles online.

Women of the Genre

  • Patricia Highsmith, Strangers on a Train; Deep Water.
  • Katherine Neville, The Eight. This “historical thriller/whodunnit/magical story” paved the way for works like The Da Vinci Code, Kostova’s The Historian, and Mosse’s The Labyrinth. (4)
  • Tana French, The Secret Place. In the Woods (Dublin Murder Squad series).
  • Amy Greene, Long Man. A small, East Tennessee community desperately searches for a missing toddler before the TVA floods their town.
  • Sarah Waters, Fingersmith. Readers love this Dickensian tale’s twists and turns.
  • Gillian Flynn’s Gone Girl confronts the myth that “women are … naturally good,” a misconception that “robs [them] of any sort of will.” (5)
  • Megan Abbott, You Will Know Me.
  • Denise Mina, Garnethill (Garnethill trilogy); The Field of Blood (Paddy Mehan novels); Still Midnight (Alex Morrow novels).
  • Minette Walters, The Ice House; The Sculptress; The Scold’s Bridle.
  • Dorothy B. Hughes, Ride the Pink Horse; In a Lonely Place.
  • Donna Tartt, The Secret History. “[It’s] both an intellectual novel of ideas and a murder mystery without the whodunnit element.” “[An] amazing book that combines crime and Greek language and mythology with Donna Tartt’s beautiful writing style.” “[This] was one of the most unique reading experiences of my life.” (6, 7, 8)
  • Alex Marwood, The Darkest Secret.
  • Libby Fischer Hellman, A Bitter Veil. Reviewers call it “gripping,” “poignant,” “terrifying,” “viscerally effective.” (9)
  • Vicki Hendricks, Miami Purity. A raw, erotic story.
  • Liane Moriarty, The Husband’s Secret.
  • Tess Gerritsen, Playing with Fire. I love this review: “OMG Tess Gerritsen, give me my life back! I’ve never been so consumed by a book — let alone one about a…diabolical cursed violin score, toddler psychopath, and WWII-era Italy? Yeah, I was as skeptical as you probably are, but somehow it all works. I couldn’t stop tearing through the pages… What a whirlwind!” (10)
  • Renée Ahdieh updates the story of Scheherazade (1001 Nights) in The Wrath & the Dawn.
  • Alison Gaylin, What Remains of Me.
  • Jessica Knoll, Luckiest Girl Alive.
  • Val McDermid, The Mermaids Singing (Tony Hill series); A Place of Execution.
  • Margaret Millar, How Like an Angel; A Stranger in My Grave.
  • Sophie Hannah, Woman with a Secret.
  • Barbara Vine (real name, “Ruth Barbara Rendell, Baroness Rendell of Babergh, CBE”) was a prolific writer of intense psychological thrillers and murder mysteries. Award-winning titles include Make Death Love Me, A Fatal Inversion, The House of Stairs, and King Solomon’s Carpet. Reading thrillers written by an English baroness sounds like a good idea to me. (11)

As you can see, there are so many incredible women authors to choose from; I found it difficult to stop adding names to the list!

Now, by “Deep Cuts,” I mean a few things: lesser-known works by famous authors, works of suspense by authors who normally write within a different genre, or even books you might pick up without knowing what thrills lie in store.

Deep Cuts

  • Agatha Christie sometimes falls into the “cozy mystery” subgenre, thanks to her Miss Marple But And Then There Were None is a deliciously frightening work.
  • Steven King, master of horror, also writes suspense that takes place in a monster-less world. The Long Walk and The Running Man are two examples, published under pseudonym Richard Bachman. (12)
  • Dan Brown wrote tech thriller Digital Fortress before finding fame with The Da Vinci Code.
  • Herman Koch’s The Dinner finds two families deciding how to deal with their teenage sons, who have committed a violent crime, over dinner. The evening starts off civil enough, but inevitably unravels. (14)
  • Gogol, Pushkin, Tolstoy, and others shine in the lesser-known tales collected in The Greatest Russian Stories of Crime and Suspense (Otto Penzler, editor). (15)
  • Roald Dahl, beloved children’s author, wrote some truly twisted short stories for adults. I have to say, it was eye-opening to stumble upon them as a young girl!

Nothing beats a page-turner when it comes to summer reads; and I’ve certainly given you a lot to choose from here. So come to the library, check out a book, and beat the heat with a chilling tale of suspense!

Read the rest of this entry

The Suspense is Terrible! (ɪ ʜᴏᴘᴇ ɪᴛ ᴡɪʟʟ ʟᴀsᴛ.)*

By Chelsea Bennett, Reference Department

₮ⱧɆ ₴Ʉ₴₱Ɇ₦₴Ɇ ł₴ ₮ɆⱤRł฿ⱠɆ

When confronted with a thriller, I used to think, “Here’s a novel that features guns, bombs, and lies. Probably some politics, too.” And while those elements might feature in some bestselling books, I now know how narrow my perception was. For I have probed past the whims of pop culture, and discovered some of the fascinating premises to be found within the realm of suspense, thriller, and crime novels. While this genre may not be new to you, I hope you’ll follow along with this two-part post, and perhaps leave your best recommendations at the end.

“Crime pays,” says journalist Anita Singh, writing for The Telegraph: “thrillers and detective novels now outsell all other fiction.” [1] It’s a broad category: these novels might be packed with fast-paced action (the Jason Bourne series), psychological drama (Gone Girl), or military intrigue (The Hunt for Red October). With high stakes and life-or-death outcomes, thrillers often become the basis for hit movies. And while supernatural or dystopian tales may have had a surge in popularity over recent years, thrillers continue to enthrall us because they could happen. Grounded in reality, often set in present-day, they let us imagine what life would be like if we got on the wrong side of a corrupt government – or a jealous lover.

But why would anyone want to do that? The late novelist and critic Mary McCarthy explained it this way: “We all live in suspense, from day to day, from hour to hour….” And, as writer Lisa Gardner adds, “…one of the appeals of suspense is [that we can] safely explore our innermost fears.” [2] In other words, we all live with a high degree of uncertainty in our lives. The more nervous, fragile, lonely, pessimistic, or uninformed we feel, the more we fear that uncertainty. When fiction addresses that primal fear, it allows us to take a breath, say to ourselves, “OK. What if?” and confront those worst-case scenarios. Fear often shrinks under scrutiny. And if we vicariously reach a satisfying solution through the deeds of our literary avatars, so much the better.

Today, we’ll start with the heavy hitters: the names that even I recognized! Then we’ll look at the classic works of literature that paved the way for those authors. Next week, we’ll scrounge up a few “deep cuts” – lesser-known works of suspense by authors who usually fit into a different genre. And we’ll highlight some of the women authors who are shaking things up in the realm of suspense.

Heavy Hitters

  • Ian Fleming, author of the James Bond Casino Royale is a classic. Fleming said, “While thrillers may not be Literature with a capital L, it is possible to write what I can best describe as ‘thrillers designed to be read as literature’.” [3]
  • Robert Ludlum, creator of the character Jason Bourne. Ludlum died in 2001, but the wildly popular Bourne series continues, thanks to a collective of authors who carry his torch.
  • Stieg Larsson’s Millennium series also continues posthumously, following the success of Larsson’s first three novels, beginning with The Girl with the Dragon Tattoo.
  • Tom Clancy created the Jack Ryan character in The Hunt for Red October. There are now more than 20 novels in the series.
  • John le Carré introduced British intelligence officer George Smiley in Call for the Dead, and he appears in nine other novels, perhaps most famously in Tinker Tailor Soldier Spy.

The Classics

  • The Secret Agent: A Simple Tale by Joseph Conrad. A tale of terrorism, anarchy, and political intrigue, set in 1880s London.
  • Rebecca by Daphne du Maurier. Although many modern reprints give this gothic work the appearance of a romance novel, it’s a psychological work that led to a rather faithful film adaptation by that master of suspense, Sir Alfred Hitchcock.
  • A Study in Scarlet by Sir Arthur Conan Doyle. This is the first appearance of Sherlock Holmes, star of four novels and many short stories by Doyle. Fans of the BBC series Sherlock may find the differences – and similarities – amusing.
  • “The Murders in the Rue Morgue” by Edgar Allan Poe. Before there was Sherlock Holmes, there was C. Auguste Dupin, Poe’s amateur detective with uncanny skills of deduction. Dupin appears in two more of Poe’s stories.
  • A Coffin for Dimitrios by Eric Ambler (also titled The Mask of Dimitrios). Charles Latimer is a mystery novelist becomes intrigued by a dead man’s past, which leads to dangerous consequences. The story is described as a hybrid of “spy thriller” and “detective noir.” [4] There is a sequel, The Intercom Conspiracy.
  • The Mysteries of Udolpho by Ann Radcliffe. This is a “quintessential Gothic romance,” with a young heroine in both physical and psychological danger. Austen, Poe, and others were heavily influenced by Radcliffe. [5]
  • The Woman in White by Wilkie Collins. “Pursuing questions of identity and insanity along the paths and corridors of English country houses and the madhouse, [it] is the first and most influential of the Victorian genre that combined Gothic horror with psychological realism.” [6]

That’s all for this week. Check back next week as I do my best to turn up some unexpected finds, and explore the success of women authors in this genre. Don’t forget to share your favorites (especially classics) in the comments below!

* A line you will recognize from either The Importance of Being Earnest or Willy Wonka & the Chocolate Factory, depending on your tastes.

Music Scenes in Franklin

By Lindsay Roseberry, Reference Department

We all know that Nashville is called “Music City” with all the concerts and venues that take place all over Nashville and Davidson County, covering so much more than country music these days, too.  But, Williamson County is catching up and has quite a few venues that may interest you.  From the annual Pilgrimage Festival to summer concerts to weekly and daily music venues, Franklin and Williamson County have much to offer!

If you want to relax and have a meal while listening to music, try out these restaurants in the area:

The Bunganut Pig does have a strange name but it has good food.  It’s been in Franklin for over twenty years; there’s a sign out front that boasts the “best burger in town.”  It is a laid back place to eat, with a varied menu.  There is live music on the patio in the summer, and dance bands perform on the weekends.

Puckett’s Grocery and Restaurant started in Leiper’s Fork as a small restaurant in the 1950s; word spread and now there are six area restaurants.  The original one is still in in Leiper’s Fork, and next Franklin, then spreading out to Nashville, Columbia and Murfreesboro.  Franklin also boasts Puckett’s Boat House, which is actually in a refurbished boat house.  All of the locations have live music most days of the week.

From VisitFranklin.com

Puckett’s Grocery & Restaurant in Leiper’s Fork, Tennessee, is more than just a place to enjoy a good meal. It’s a popular destination for locals and tourists alike. With mismatched tables and chairs and an eclectic clientele of tourists, farmers, songwriters, and country music stars, it’s a restaurant serving up a dining experience unlike any other.  It is even on the National Register of Historic Places in America!  Founded by the Puckett family in the 1950s, Puckett’s served as a country store to several communities in Williamson County. From fresh groceries and a good southern meal, to a tank of gas and a place to catch up with friends, Puckett’s has become a staple in the Leiper’s Fork community.

Puckett’s in Franklin is focused on providing friends new and old with great food and Southern hospitality. They built a name on hosting live, local musical acts and serving Southern staples.  They offer live music Tuesday through Saturday.

Puckett’s Boat House is in Franklin’s old Boat Locker at 94 E. Main Street; they offer by-the-shore dishes that are reminiscent of the Gulf coast and the Big Easy, plus Southern staples. They also offer an oyster bar and a wine bar.  Every Tuesday through Saturday they offer live music.

From VisitFranklin.com

Kimbro’s opened in 2005 as a pickin’ parlor by songwriter Ron Kimbro. In 2007 Will Jordan became a partner and changed it to a music venue. In 2014, Jordan became the sole owner. In 2013, Kimbro’s won second place behind The Ryman Auditorium for “Best Live Music Venue” in The Tennessean’s 2013 reader’s pole and second place behind The Bluebird for “Best Open Mic” in The Nashville Scene’s reader’s pole.  In addition to incredible music, Kimbro’s also offers a fantastic menu of homemade foods from specialty salads to gourmet burgers, delicious sandwiches and fantastic sides. It also features more than 30 different varieties of imported and domestic beer and draft options are all made by local brewers; they also have a complete wine selection, mimosas, sangria and ciders.

The Whiskey Room at King’s Bowl at the Galleria is a relative newcomer to the area. Kings Bowl was founded in 2002 as a mission to create a new dining and entertainment experience that revitalizes the charm and nostalgia of bowling and other social games that have faded in America since their heydays. Not your average bowling alley, Kings Dining & Entertainment takes a restaurant-first approach with amazing scratch dishes from its chef-driven, award-winning kitchen in a classic retro environment. At King’s Dining & Entertainment, you can dine in one of three premium bars, on a 60-seat patio with fire pit and beer garden, or right at your bowling lane.

The Whiskey Room LIVE, part of the King’s Bowl complex, is a 120-seat entertainment stage with state-of-the-art audio and lighting.  “Music is part of our DNA,” the owner said, and the Nashville area just seemed like an ideal location to introduce our first Whiskey Room and music venue.”

thefuntimesguide.com

Mellow Mushroom Pizza Bakers was established in 1974 in Atlanta, Georgia as a single pizzeria; the headquarters are still there.  This downtown restaurant has live music in the summer on the square.  Sixty-Four, a Beatles cover band, will be playing every second Saturday!

The Gray Drug Co. was a landmark pharmacy here for nearly a century. In 2013, after careful restoration, the three-story Gray’s on Main was unveiled, honoring Tennessee’s cultural heritage through fresh spirits, flavors and sounds.  The menu reflects the best of the South in food, with a focus on locally and regionally sourced ingredients. The second floor bar and music hall features live performances from the best musicians in the area.

The Pond is a local neighborhood bar with music; they also offer happy hour daily from  to 7 p.m.  The bar is for 21+ and they do allow smoking.  And for those who like late nights, they are open until 3:00 a.m.

Arrington Vineyards opened its doors July 1, 2007. Since then, we have been providing a “wine country experience” of award winning wines set among the picturesque rolling hills of middle Tennessee.  Arrington Vineyards hosts Music in the Vines every year from April through October every Saturday and Sunday. To view the entire schedule, check the event calendar.  They offer two live music locations on the property; they host live jazz groups in the courtyard and live bluegrass bands by the Grand Barn.  Both music events are free!

from visitfranklin.com

The Franklin Theatre was established in 1937, but time caught up with the theatre and in 2007 it closed.  Thanks to a community wide effort, headed by the Heritage Foundation, the theatre was restored.  It now shows standard movies, recorded music and now also has live music.  Featuring well known groups and singers, the theatre has reclaimed its place in downtown.

Music City Roots, Live From The Factory is a weekly, radio show and webcast that revives the historic legacy of live musical radio production in Nashville. Broadcast on Wednesday nights from 7pm to about 9:30 pm, CST, Music City Roots showcases Nashville’s astonishing music scene, from country and Americana to more progressive interpreters of tradition — a “roots and branches” format that brings together fans of different tastes and generations. The show is broadcast live over WMOT/Roots Radio 89.5 FM from Middle Tennessee State University and webcast in Livestream.

Graystone Quarry in Thompson Station is just beginning to be an outdoor music venue and there will be outdoor music concerts coming soon!

And we can’t leave out the big annual music festival at Harlinsdale Farm!  The Pilgrimage Music and Cultural Festival is become a well-known outdoor music concert.  2018 will be the 3rd year, and it continues to grow and have popular musicians.

How to Take a Mental Health Day

by Chelsea Bennett, Reference Department

Are you unusually overwhelmed at work? Do you fear that – contrary to your character – you are one careless comment away from smacking a coworker in the face, or bursting into tears in the break room? Can you no longer distinguish your personal life from your work life? If you’re otherwise healthy, but feeling out of sorts and out of control, maybe it’s time to take a mental health day.

A mental health day (MHD) is just like a sick day. Instead of staying home because of a sore throat or a twisted ankle, however, an employee takes this day off work for a legitimate wellness concern that may not present physically. Sometimes the need stems from a clinically diagnosed illness (i.e., Major Depressive Disorder), but not always. Depression, anxiety, grief, stress, and emotional trauma are some possible reasons to take a mental health day.

“That sounds like playing hooky,” you might say, skeptically. Indeed, our culture pressures us to put career first, ahead of family and sanity. You may know someone who missed a child’s birthday party, rescheduled an anniversary dinner, or cancelled a vacation due to being “on call” at a job that has nothing to do with life and death.

Web developer Madalyn Parker made waves in 2017 by publically sharing her experience taking a mental health day. Check out this screenshot of her Tweet. See, it can be done!

And there’s still a cultural stigma against mental illnesses. They often go ignored or misunderstood, and aren’t given the same consideration as a visible sickness or injury. People with depression, for example, are instructed to “buck up.” This places the demand for a cure back on the sick individual, rather than encouraging them to seek help. (Imagine telling someone with a broken leg to “walk it off!”)

I’m not suggesting we all abandon our jobs and start living like Thoreau in the woods. (Although that is my own personal plan for early retirement.) But I am suggesting we start to value mental health as a vital element of wellness. It’s irresponsible to show up to work if you’ve got a fever. It’s equally unwise to wait until you’re in psychological crisis mode before you take some time off work. When you see your emotional distress flare, consider scheduling a mental health day (people who know you well can help you spot the warning signs, too.)

Be sure the day is productive in some way. You’re not skiving off work; you’re taking care of yourself. Evaluate the reasons you are staying home from work, and decide what you need most. Is it sleep? Quality time with a loved one? An afternoon full of play? If a Netflix marathon usually leaves you sluggish and empty, skip it. This is a day to fill yourself up. Here are some elements you might incorporate into your MHD:

  1. Drink lots of water all day long, and eat healthy food. (Dehydration and poor nutrition amplify the effects of emotional stress.)
  2. Schedule an appointment with your therapist, counselor, or mentor; or catch up with a friend who will listen with compassion.
  3. Attend to personal issues that have been causing stress, such as a long to-do list or a wilting relationship.
  4. Get out in nature.
  5. Sleep in, or take a restorative nap during the day. Go to bed earlier than usual.
  6. Exercise, to get your mind and body back in sync. It should be something you enjoy, not a chore: yoga, swimming, shooting hoops, golfing, climbing rock walls, …
  7. Book a therapeutic massage.
  8. Drive a few towns over for a change of scenery.
  9. Put your phone on Do Not Disturb. This will help block out social media, e-mails, and marketing calls. (Most phones let you customize this option, so you can still get important calls from select contacts.)
  10. Do something creative and meditative, such as painting, writing, cooking, or gardening.
  11. Laugh – and cry! Both work wonders for stress relief. Watch a movie, listen to a podcast, or read a book that you know will engage your emotions.

During your mental health day, you may come up against a few lies, so be sure to equip yourself with the truth: Time spent resting is NOT time wasted. It is NOT weak to ask for help or to express your needs. You ARE worth taking care of! And self-care is NOT selfish!

If taking a paid day off isn’t an option at your job, you can still dedicate a day to your mental health. The same goes for those of you who work from home, or stay home as a caregiver to family members. You’ll have to be intentional with your scheduled days off. You may have to ask for more help and be firm with your boundaries. But you CAN do it, and it IS worth it.

None of these activities will cure a mental illness or replace a long-term management plan, of course. You may need to incorporate lifestyle changes, or find a counselor or medical professional whose job is to equip you to navigate life’s challenges. (Check the links at the end of this post for a starting point to that search.) But taking time to care for yourself in meaningful ways can help maintain a sense of balance, self-worth, and perspective. As the rallying cry goes, “Mental health is health!”

When you are ready to go back to work, I hope you notice that you’re feeling refreshed and in control. A healthy person can give more, and joyfully so, to all around them: at home, at work, and everywhere else.

 


A few links to help you search for a mental health care professional:

Sources:

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