Red Queen by Victoria Aveyard
By Rebecca Tischler, Reference Department
Mare Barrow’s world is divided by blood—those with common, Red blood serve the Silver- blooded elite, who are gifted with superhuman abilities. Mare is a Red, scraping by as a thief in a poor, rural village, until a twist of fate throws her in front of the Silver court. Before the king, princes, and all the nobles, she discovers she has an ability of her own.
To cover up this impossibility, the king forces her to play the role of a lost Silver and betroths her to one of his own sons. As Mare is drawn further into the Silver world, she risks everything and uses her new position to help the Scarlet Guard—a growing Red rebellion—even as her heart tugs her in an impossible direction. One wrong move can lead to her death, but in the dangerous game she plays, the only certainty is betrayal.
I actually enjoyed this book despite the numerous YA novel cliches that it invokes. Yes, there is an oppressive government, the main character is one of the oppressed and discovers she’s “special”, she becomes part of the revolution, and there is a love triangle. However, this typical story is made more interesting when the oppressive group are armed with superpowers, such as super-strength, super-speed, telepathy and various abilities to manipulate metal, plants, fire, water, animals, ect., which makes it much more difficult for the oppressed to fight back. Unfortunately, the characters are a little predictable and flat, with the main character acting inconsistent and thoughtless, but the revolution and the rebel’s plans make it much more interesting. When battling against a superhuman group, sometimes dark and violent decisions have to be made.
Overall, it feels like a typical YA government oppression book, but it saves itself with a ruthless rebellion and superpowers. These two aspects add an edge that heightens the tension and danger in the book and makes the reader want to discover what happened. My hope is that the rest of the trilogy focuses on darkness of the rebellion instead of the romance or the drama between characters.